Last Updated on
The view from Twin Peaks hill is one of my favorites in San Francisco. From the top, you can observe part of the city from Golden Gate Bridge to Bay Bridge with downtown in the middle and San Francisco Bay in the background.
Because of the ever-changing weather in the San Francisco area, you never know what kind of view you will find when you visit Twin Peaks.
On the day I took the featured photo, the air was perfectly clear but, somehow, only the bay was covered with a combination of clouds and fog that made it difficult to locate iconic landmarks like Alcatraz and the Golden Gate Bridge. But, at the same time, the clouds and fog created an out-of-focus, blurred background effect that pointed the viewer’s attention to the city. I did not complain.
The view from Twin Peaks also makes you realize how unique San Francisco is. Instead of typical city colors like grey, yellow, and brown dominating the city, San Francisco’s predominant color is white. This creates such a distinctive urban pattern.
The challenge of shooting from the Twin Peaks hill is that is not easy to create a meaningful composition with some kind foreground interest. Since I could not find anything interesting around me, I decided to use the part of the road switchback below me as part of the composition.
- Camera: Sony a6000
- Lens: Sony 16-70mm
- Focal Length: 29mm
- Shooting Mode: Aperture Priority (A)
- ISO: 100
- Aperture: F8
- Shutter Speed: 1/400s
- Tripod: handheld
Editing & Processing
It was a single RAW processing workflow.
I changed the aspect ratio from the original 3 x 2 to 16 x 9 to make the composition more panoramic. I used the Crop Overlay Tool.
The Lightroom Preset Editing Formula: Point Lobos (13, 16, 21)
In Photoshop, I used the Stamp Tool to erase the cyclist and the road sign in the foreground. Also, I covered some distracting elements in the bottom right corner. The rest was a simple boost of details and noise reduction.
Total time: 12min