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If you are looking for a comprehensive Topaz Software review, you come to the right place.
If you follow my blog, you know that I am pretty open about my editing as I reveal the processing steps for almost every photo I publish. You also probably noticed that every photo posted on this blog was edited, at some point, with at least one or two Topaz Software Labs plugins.
Not surprisingly, two of the most common questions my readers ask me about the Topaz products are: “What plugin should I incorporate in my editing workflow and when do I use it?”
Topaz Software Review or Cheat Sheet for Choosing the Right Topaz Plugin
I have to admit that Topaz Labs has one of the most confusing structures of its products. They have a total of 16 different plugins and, in most cases, their functions overlap with each other. Needless to say, it took me a long time to figure out what product to use and when.
Do not get me wrong; I love and value the Topaz Plugins, but I wish that instead of 16 products they had three or four, combining different plugins together.
In order to help photographers who are just starting to use Topaz software, I have listed the plugins I use in the order of importance for my photography.
Any Photoshop or Lightroom plugin is a simple “shortcut” or time saver. Typically, it is possible to achieve the same effect of pretty much any plugin using Photoshop; however, DeNoise is one of those plugins whose effect I cannot completely replicate using either Photoshop or Lightroom. Even though both applications have noise reduction tools, nothing comes even close to mirroring the effect of DeNoise.
My favorite aspect of using DeNoise is that I do not have to use masking in Photoshop after I apply the noise reduction.
In a majority of my photos, I only need to reduce noise in the “flat” areas (sky, water, skin) because, at the same time, I also want to preserve as many details as possible in the “pattern” areas (architectural elements, grass, trees, mountains). Before I started using DeNoise, I had to apply noise reduction to the entire image and later use Photoshop to mask areas I wanted to keep sharp. Somehow, DeNoise detects those areas automatically and eliminates them from the application.
This powerful and simple tool saves me an enormous amount of time.
The name of this plugin is self-explanatory. It enhances the details of the image and gives you absolute control over the entire process. It also allows you to sharpen the image.
There is no magic here compared to the power of DeNoise. Topaz Detail always requires masking after applying its effect to the image. This is especially true because it significantly increases the noise in the flat areas of the image (sky, water, skin).
I typically use Topaz Detail in tandem with Topaz DeNoise. First, I enhance the details in the “pattern” areas and, later, I reduce the noise in “flat” areas.
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The second module of the plugin is color enhancement. When you adjust the contrast, it always affects colors, mostly the saturation level and I really like to have control over the colors. Normally, I increase the contrast and boost the colors at the same time. But, if I see that one particular color is oversaturated, I always have the ability to adjust only one selective color.
Ideally, I would love to see Topaz Clarity and Topaz Detail as a single plugin. The functionalities of two plugins overlap by 60-70%.
The first three plugins I listed above do not create any specific looks in your photographs. Rather, they only help to enhance different aspects of the images.
The next three plugins are more on the creative side and help to creatively explore the art of photography by achieving a variety of effects ranging from very subtle to fully blown surrealistic.
With Topaz Adjust you can control the image exposure and colors, extend the dynamic range of the single image, recover the shadows and the highlights, as well as enhance the details. The possibilities here are endless.
Also, to add more confusion to its complexity, its functionality overlaps with the Topaz Clarity and Topaz ReStyle features.
After I found myself wasting far too much time with Topaz Adjust by playing with its endless sliders, I created a simplified workflow and am trying to stick to it.
My Topaz Adjust Workflow
- I always start by applying one of the presets from the Classic Collections. The rest of the collections that comes with Topaz Adjust produce too surrealistic effects for my taste.
- I switch to the right editing panel and work with Global Adjustments. I only use the Adaptive Exposure, Details and Color adjustments.
- I never use Local Adjustments because I find it more effective to use Photoshop for dodging, burning and masking.
- The last step is the Finishing Touches adjustments. I always use the Transparency adjustment where I can blend the Topaz Adjust effect with the original image. I also use the Warmth adjustment quite often, especially with sunset/sunrise photographs. I use Tone adjustments less frequently and only when I want to achieve a Cross Processed effect.
Topaz ReStyle is an unusual plugin. On the first view, it does not even make sense. Typically, I consider any plugin to be a timesaver as I generally expect them to streamline my editing process by reducing the time I spend in Photoshop.
But, over time, I developed a different workflow tailored specifically to Topaz ReStyle.
Initially, I invested a bit of time cutting a number of the presets to a more manageable level. I went through most of the presets, found the ones I liked, saw their potential, and tagged them as Favorites.
Now, I have a library of 128 favorite presets.
Every time I open Topaz ReStyle, I switch from Editing Mode to Grid View and visually go through big thumbnail previews of my 128 favorite presets to try and pinpoint the one I like.
In most cases, the default effects of the presets are too strong for my taste. After I select the effect I like and switch back to editing mode, all I do is reduce the Opacity of the effect and blend it with the original image. No editing, adjusting or masking is required.
The whole process is fast and I can always find an interesting effect.
Topaz Star Effects
You probably know or heard about the shooting technique where you select the smallest possible aperture (f20-f22) and shoot directly into the sun or another light source to produce a starburst effect. The small aperture exaggerates the rays of light making them more visible and prominent.
The Topaz Star Effects allows you to create a starburst effect after shooting and in the editing phase.
The plugin has all of the possible adjustments and controls to make the starburst effect the way you want it.
I hope my short review of Topaz Labs plugins will serve as a roadmap for you. Over time you will find your own ways and establish your unique workflow based on your personal style and artistic vision. And when you do, I hope you take a minute and share with the rest of us your unique ways of using Topaz plugins.