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The featured photo of the sunset at Moonstone Beach in California was one of the most popular photos on this blog in the last 12 months. I also was asked on many occasions about the process of shooting and editing this particular shot. I decided to put together step by step visual guide of my typical HDR workflow when I use Photomatix to merge multiple photos to HDR.
Sunset at Moonstone Beach (California)
This is the spot I always plan to visit when I drive from Los Angeles to San Francisco along California Route 1. It is located right in the middle of the coastal drive, next to the San Simeon State Park
This is where I normally stay for the night. I plan my schedule so I can check in to the motel an hour before the sunset, and then I take only my tripod and camera and walk along Moonstone Drive in the sunset hours. This spot serves as the final point of my travel photography sunset hike, and where I stay until the sun completely submerges into the ocean.
This is the ultimate location for HDR Photography; shooting into the sun as it is setting into the ocean, with some colorful textures in the foreground.
This is when HDR shines.
The shooting part was easy. First, I made sure I had an interesting composition and then I took 5 bracketed shots on a tripod with 1EV intervals (-2; -1, 0, +1, +2).
Step 1 – Lightroom
After I imported 5 bracketed images into Lightroom, I applied only 2 edits to all of them: Lens Profile Correction and Remove Chromatic Aberration in the Lens Correction Panel.
Step 2 – Photomatix
I selected 5 bracketed shots in Lightroom and using command Export > Photomatix Pro, I sent them to Photomatix.
In Photomatix, I used Tone Mapping for the Process and Detail Enhancer for the Method with the following edit values:
Here is the result of processing 5 images in Photomatix compared to the middle bracket.
Step 3 – Lightroom
When I brought newly created HDR image back to Lightroom I could see 2 main issues; the horizon was not straight and the shadows were still too dark.
Below is the screenshot of all edits I performed in Lightroom.
I used the combination of the Crop & Straighten and the Lens Correction tools to make sure the horizon was straight and perfectly horizontal.
Here is the result of processing image in Lightroom:
Step 5 – Photoshop
In Photoshop, I started with the cleaning. Using the Stam Tool I removed all distracting elements and removed (covered) lens flare on tree branches.
I used Topaz Detail plugin to emphasize the textures in the foreground elements (path, bushes, trees).
I used Topaz DeNoise to reduce digital noise in the area of the sky and the water.
I cropped image again, making the composition even tighter.
In the end, I used the Curves tool to add vignetting and the Vibrance tool to emphasize the colors.
Here is the result of editing image in Photoshop:
Deconstructing Featured Photo
Camera: Canon 60D
Lens: Sigma 10-20mm
Focal Length: 17mm
Bracketing: 5 shots (-2; -1, 0, +1, +2)
Tripod: FEISOL Tournament CT-3442 – Check my FEISOL Tournament CT-3442 Review.
Ballhead: FEISOL CB-40D
Processing: HDR Processed in Photomatix
Lightroom: import, tagging, export to Photomatix
Photomatix: I used 5 images to tone map image (-2; -1, 0, +1, +2), 16-bit tiff image was exported to Lightroom.
Lightroom: straightening, cropping, export to Photoshop.
Photoshop: cleaning, masking flares over trees
- Topaz DeNoise was used to reduce digital noise (sky, clouds, water ) – check my Topaz DeNoise Product Review.
- Topaz Detail was used to enhance details in foreground elements (trees, grass, ground)