I’ve already featured Cypress Cove, which is located in Point Lobos, in one of my previous posts, but today’s photo was taken from the opposite side of the cove, which allows you to actually see the exact spot from where I took the Cypress Cove at Point Lobos photo.
A few weeks ago, I released a Free Lightroom Preset Collection to the readers of my blog and, since then, it’s been, by far, the most popular item on my blog. The collection has been downloaded thousands of times and the feedback has been pretty overwhelming.
The last week, I made public my first premium collection of Landscapes Vol. 1 where I assembled my top 20 presets I’ve developed over the last five years. One of the presets in the Landscapes Vol.1 Collection was based on the editing steps and the style of today’s featured photo. The preset is called Point Lobos.
Shooting and Processing
When I was planning this shot I wanted to get everything in focus from the tree stub to the infinity. I set the aperture to F/13 to extend the depth of field. I used manual focus with the zoom functionality to make sure that I had all the elements of the composition, including the background elements, in focus.
I was shooting on my Feisol tripod and took only three bracketed shots (-1, 0, +1) because the weather was changing from a sunny morning to an overcast afternoon, causing the light to not be as dynamic anymore.
But, in the end, I did not have to use HDR processing at all. I used single RAW and Lightroom preset based processing, using the Point Lobos preset from my Landscapes Collection.
Camera: Canon 60D
Lens: Sigma 10-20mm
Focal Length: 10mm
Shutter Speed: 1/100 sec
Tripod: FEISOL Tournament CT-3442 – Check my FEISOL Tournament CT-3442 Review.
Ballhead: FEISOL CB-40D
Processing: Lightroom Preset Based Workflow
- Topaz DeNoise was used to reduce digital noise (sky, water).
- Topaz Clarity was used to enhance details and boost colors.